NOS - Introduction Pt. 1
The watery grave of tears.
O you, field of wheat
Turn away no more. The only representative of God on earth
Why dost thou turn away?
The starry floor, is the soul. - Meister Eckhart
The watery shore
Is Thine til the break of day.
INTRODUCTION
This work has all of the defects that are needed to defeat time. Truly, I was forced to write it in this way. In accordance with prescribed limitations, but I have been permitted to reveal the Martial Initiation of A-Mor.
The whole of my creative work falls outside the boundaries of any literary theme; it is neither a poem, nor a novel, nor an essay of philosophy, rather it has a little of each of these. I conceived it within the rhythmic union of the soul, and it can be comprehended with little more difficulty than that which is inherent in its symbology and essential obscurity, even by those who come upon it for the first time.
In NOS, Book of the Resurrection I have been forced, as I said, to violate the aesthetic method, so as to introduce the semi-conceptual, but always symbolic passages which apparently break through the web of a parallel world in order to place ourselves in another one - thus forming the arrows which assassinate time. Of course, they are the defects which are necessary for a grandiose ultimate diapason. (This face does not have enough ugliness in it to be truly beautiful.)

The origins of this most ancient warrior's initiation are lost in the mists of time (if indeed it ever did have any origins), and it is based on the Orphic Cosmogony, which is a Hyperborean revelation, belonging solely to the Polar Divinities and semi-divinities, to the "White Gods" who lived at both poles and were later submerged in the interior "Hollow Earth". The are also the lords of the Sphere of the Green Light, beyond the Sun of Gold and the Black Sun.
According to Orphic Cosmogony, Love drives Eros to break the Cosmic Egg which encloses it, dividing the Androgynous. Thus, Creation is the dance of Him and Her seeking and losing each other throughout infinity.
There is a mystery which has rarely been spoken of, and then only in an almost inaudible voice. The Androgynous had a female companion who was not its "She" inside the Great Egg but has always been outside it, even before it was broken, before the loss of the Hyperborean Paradise (Hyperborea means beyond the Ice and Storm). The Book of Genesis calls her Lilith.
The Book of Genesis is known to be an Atlantean story which has been adulterated, expurgated, totally mutilated. Closer to what really happened is what Plato tells us about Atlantis in his Critias and Timaeus. In the beginning "a man issued forth out of the earth." He was called Evenor and he married Leucippe. They had a daughter, Cleito. The god Poseidon fell in love with her. Perhaps this is the fall of the divine extraterrestrials, of which the Book of Enoch tells us? The angels, it says, fell in love with the "daughters of men" and consorted with them. From them were descended the semi-divine heroes, who were no longer immortal. From the union of Poseidon and Cleito were born ten kings of Atlantis, the eldest being Atlas, who supports the pillar of the sky. After him comes Apollo, who protects the Oath and the Golden Law. Apollo, according to the Greeks, traveled to Hyperborea every nineteen years in order to rejuvenate himself. In reality, the Greek gods are the heroes and kings of Atlantis-Hyperborea. Poseidon and Cleito produced the five pairs of twins who were the ten kings of Atlantis. The Dioscuri, Castor and Pollux (Pole) are one of these pairs. So also may be Jason. At the very least, he is a king of the Graal, like Heracles-Hercules.
It is important to be able to cast light on the mystery of the Twin Kings of Atlantis. Is the twin a material entity or only the "double" in an astral, parallel world?
It can be deduced from all this that various levels of humanity exist. The divine humanity of the Hyperboreans, the semi-divine humanity of the heroes descended from the intercourse of the gods with the daughters of men, and that of the animal men, the sudra, the pasu, "the slaves of Atlantis," perhaps the "androids" of Atlantis, who somehow managed to survive its sinking.
Plato tells us the story of the destruction of Atlantis as if it refers to a catastrophe which occurred a very long time after the immense tragedy that is only recorded in the akasic register of the universe. Only the divine Hyperboreans escaped from it in their vimanas, or "flying discs," going to other planets (to Venus the Morning Star?). The axis of the earth shifted, the seasons were born, the Second Earth involuted. The First Earth became the "hollow" Interior Earth. When the divinities returned, ages later (Lucifer was one of their leaders), they found everything changed. On the surface were strange, unrecognizable beings (Evenor, Leucippe, Cleito?). Some of the extraterrestrials "fell in love with the daughters of men." Lucifer and his hosts entered the interior, Hollow Earth, where they built the cities of Agharti and Shambhalla. There they only hoped to be able to recover those who had turned into semi-divinities through consorting with the terrestrials.
Because of the impossibility of writing their real names, which are in fact mantrams, we have given them names like Evenor, Apollo, Lucifer, Jason, Leucippe, Cleito and Lilith, which are taken from the truncated mythologies of a more or less recent past.
The Edda refers to the same subject as the Book of Enoch and the Mahabharata, showing us that the Vanir and the Aesir have extraterrestrial origins. The are the "angels" of the Book of Enoch who taught men the arts of building, astronomy and agriculture, and women to adorn themselves by making cosmetics. Did the Vanir or the Aesir consort with the daughters of men? Perhaps they both did? Just like the Pandavas and the Koravas in the great war of the Mahabharata, the Vanir and the Aesir, who are blood relatives, entered in to military strife. The Vanir lived in the north, the Aesir apparently came from the Caucasus, led by Odin, or Wotan, the God of the Axe. They may have gone down into the Second Earth from the peak of Mount Elbrus. With them they took the Goddess Frigga. The Vanir had Freyja. There is effectively little difference between the two names. They also had Atlas, who gave his name to Atlantis. He was the supporter of the pillar of the sky above the North Pole, with his head touching the Pole Star above. Soon Atlas, too, worshiped Odin's axe. From the union of the Aesir and Vanir came the Norsemen, worshiping their Hyperborean ancestors through the symbol of the Pillar of the Sky, whose real name is IR or ER, the root-name of the most important of the Gods, Irmin, which means POWER. In the Nordic cult the tree then became the symbol of the legendary pillar. It is the Irminsul (IR-minsul), an ash which stood in the Eresburn (ER-esburg), the Castle of ER. Charlemagne felled it, while the monk Boniface cut down the sacropatriarchal Oak called Donar in the thousand-year-old grove. Both converted the "pagans" by force. The Edda tells us that the sacred Tree, which was also called Yggdrasil, was destroyed in the Ragnarok, or Twilight of the Gods. It was the Tree of Life which grew in the Nordic, polar, Sacred Grove. Up its trunk climbed the vine Vid-Embla, like a fiery Serpent, coiling itself around it. The Vitis-Vita. The crown of the tree supported the sky and was the sky. Its golden fruits were the stars.In the Garden of the Hesperides grew Golden Apples, as they also did in Avalon, the Insula Pomorum, the Island of Apples. Apollo and the divine Hyperboreans went there to eat them in order to rejuvenate themselves and return to life as immortals. They were the Aesir (Ask-Embla), ASA, Axe, support, axis of the earth and the sky. Polar pillar and also Vitis-Vita. The way and the life. The pillar and the life. The tree and the serpent. The pillar and Kundalini.
The Tuatha De Danann in the Irish legend are also the Aesir, the extraterrestrials who came down from the stars.
The Nordic legends are closer to the great mystery of the point of origin than the Christian and expurgated ones, like the Book of Enoch itself; because the point of origin is to be found at the pole, in Hyperborea. From there came the cult of the Magic, Sacred Wedding, later called Gandharba in Aryan India, and which the Germans took with them to the Languedoc, where it reappeared among the Provencal troubadours and the Minnesanger of the High Middle Ages (Tristan and Isolde), along with the Asag (see the Dictionary of Initiation of A-Mor at the beginning of the book) the May Bride and the Countess of May. And also with the myserious Woevre Saelde (Isolde?) whose sons the Minnesanger claimed to be.
With regard to the Hyperborean Magic Wedding, it should be borne in mind that the name of the God Poseidon comes from the Greek posis, which means the married one. The husband of Cleito, the Betrothed. According to the Greek legend, he is the son of Uranus and the Goddess Gaia, the divine ancestors of the Atlanteans. Euripides said: "in the Land of Amber (Hyperborea), the King of the Gods celebrated his marriage."
The belief in reincarnation is Nordico-Polar (of both poles), and is better expressed in the myth of the Eternal Return than in the rationally elaborated concept of Hinduism and Buddhism.
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